00367nas a2200109 4500008004100000245006700041210006600108100001800174700001400192700001500206856003600221 2015 eng d00aFlexible Score Following: The Piano Music Companion and Beyond0 aFlexible Score Following The Piano Music Companion and Beyond1 aArzt, Andreas1 aGoebl, W.1 aWidmer, G. uhttp://phenicx.upf.edu/node/26800349nas a2200097 4500008004100000245007200041210006900113100001800182700001500200856003600215 2015 eng d00aReal-time Music Tracking using Multiple Performances as a Reference0 aRealtime Music Tracking using Multiple Performances as a Referen1 aArzt, Andreas1 aWidmer, G. uhttp://phenicx.upf.edu/node/26700431nas a2200121 4500008004100000245008000041210006900121260002400190100001600214700002800230700001500258856003600273 2014 eng d00aAnalysis and prediction of expressive dynamics using Bayesian linear models0 aAnalysis and prediction of expressive dynamics using Bayesian li aVenice, ItalycJuly1 aGrachten, M1 aChacón, C., E. Cancino1 aWidmer, G. uhttp://phenicx.upf.edu/node/15700419nas a2200157 4500008004100000245003000041210002600071100001800097700002100115700001800136700001600154700001500170700002500185700001500210856003600225 2014 eng d00aThe Piano Music Companion0 aPiano Music Companion1 aArzt, Andreas1 aBöck, Sebastian1 aFlossmann, S.1 aFrostel, H.1 aGasser, M.1 aLiem, Cynthia, C. S.1 aWidmer, G. uhttp://phenicx.upf.edu/node/27000391nas a2200109 4500008004100000245008200041210006900123100001800192700001500210700002000225856003600245 2014 eng d00aTempo- and Transposition-invariant Identification of Piece and Score Position0 aTempo and Transpositioninvariant Identification of Piece and Sco1 aArzt, Andreas1 aWidmer, G.1 aSonnleitner, R. uhttp://phenicx.upf.edu/node/26901821nas a2200217 4500008004100000245008100041210006900122260003100191520117600222100001501398700001701413700001701430700001401447700001501461700001901476700002501495700001801520700001501538700001501553856003501568 2013 eng d00aPHENICX: Performances as Highly Enriched aNd Interactive Concert Experiences0 aPHENICX Performances as Highly Enriched aNd Interactive Concert aStockholm, Swedenc08/20133 a
Modern digital multimedia and internet technology have radically changed the ways people find entertainment and discover new interests online, seemingly without any phys- ical or social barriers. Such new access paradigms are in sharp contrast with the traditional means of entertainment. An illustrative example of this is live music concert perfor- mances that are largely being attended by dedicated audi- ences only.
This papers introduces the PHENICX project, which aims at enriching traditional concert experiences by using state- of-the-art multimedia and internet technologies. The project focuses on classical music and its main goal is twofold: (a) to make live concerts appealing to potential new au- dience and (b) to maximize the quality of concert experi- ence for everyone. Concerts will then become multimodal, multi-perspective and multilayer digital artifacts that can be easily explored, customized, personalized, (re)enjoyed and shared among the users. The paper presents the main scientific objectives on the project, provides a state of the art review on related research and presents the main chal- lenges to be addressed.