00354nas a2200097 4500008004100000245005900041210005900100260003600159100002500195856003600220 2016 eng d00aCrowdsourcing Audience Perspectives on Classical Music0 aCrowdsourcing Audience Perspectives on Classical Music aSeattle, WA, USAbIEEEc07/20161 aLiem, Cynthia, C. S. uhttp://phenicx.upf.edu/node/27900413nas a2200097 4500008004100000245011300041210006900154260003100223100002500254856003600279 2016 eng d00aFrom Water Music to ’Underwater Music’: Multimedia Soundtrack Retrieval with Social Mass Media Resources0 aFrom Water Music to Underwater Music Multimedia Soundtrack Retri aHannover, Germanyc09/20161 aLiem, Cynthia, C. S. uhttp://phenicx.upf.edu/node/28100421nas a2200121 4500008004100000245006100041210006000102260002700162100002600189700002300215700002500238856003600263 2016 eng d00aGo With the Flow: When Listeners use Music as Technology0 aGo With the Flow When Listeners use Music as Technology aNew York, USAc08/20161 aDemetriou, Andrew, M.1 aLarson, Martha, A.1 aLiem, Cynthia, C. S. uhttp://phenicx.upf.edu/node/28000545nas a2200157 4500008004100000245008500041210006900126260002900195100001900224700002100243700002400264700002400288700001800312700002100330856003600351 2016 eng d00aA Personality-based Adaptive System for Visualizing Classical Music Performances0 aPersonalitybased Adaptive System for Visualizing Classical Music aKlagenfurt, AustriacMay1 aSchedl, Markus1 aMelenhorst, Mark1 aLiem, Cynthia, C.S.1 aMartorell, Agustín1 aMayor, Óscar1 aTkalčič, Marko uhttp://phenicx.upf.edu/node/27300483nas a2200133 4500008004100000245009400041210006900135260002400204100002100228700001900249700002400268700002100292856003600313 2016 eng d00aPersonalized Retrieval and Browsing of Classical Music and Supporting Multimedia Material0 aPersonalized Retrieval and Browsing of Classical Music and Suppo aNew York, USAcJune1 aTkalčič, Marko1 aSchedl, Markus1 aLiem, Cynthia, C.S.1 aMelenhorst, Mark uhttp://phenicx.upf.edu/node/27400415nas a2200109 4500008004100000245008700041210006900128260002800197100002500225700001900250856003600269 2015 eng d00aComparative Analysis of Orchestral Performance Recordings: An Image-Based Approach0 aComparative Analysis of Orchestral Performance Recordings An Ima aMálaga, Spainc10/20151 aLiem, Cynthia, C. S.1 aHanjalic, Alan uhttp://phenicx.upf.edu/node/24400471nas a2200133 4500008004100000245008000041210006900121260002700190100002400217700002100241700001900262700002000281856003600301 2015 eng d00aI-Vectors for Timbre-Based Music Similarity and Music Artist Classification0 aIVectors for TimbreBased Music Similarity and Music Artist Class aMalaga, SpaincOctober1 aEghbal-zadeh, Hamid1 aLehner, Bernhard1 aSchedl, Markus1 aWidmer, Gerhard uhttp://phenicx.upf.edu/node/25601427nas a2200205 4500008004100000245007300041210006900114260002600183520077700209653003200986653002101018653001701039653001501056653003201071653001501103653002301118653001901141100002501160856003601185 2015 eng d00aMass Media Musical Meaning: Opportunities from the Collaborative Web0 aMass Media Musical Meaning Opportunities from the Collaborative aPlymouth, UKc06/20153 a
In the digital domain, music is usually studied from a positivist viewpoint, focusing on general ’objective’ music descriptors. In this work, we strive to put music in a more social and cultural context, looking into ways to unify data analysis methods with thoughts from the humanities on musical meaning and significance. More specifically, we investigate whether information in collaborative web resources on movie plot narratives and folksonomic song tags is capable of revealing common associations between these two. Reported initial findings suggest this is indeed the case, which opens opportunities for further work in this area, cross-disciplinary collaborations, and novel contextually oriented music information retrieval application scenarios.
10acollaborative web resources10acultural context10adata science10amass media10amusic information retrieval10amusicology10anarrative elements10atext retrieval1 aLiem, Cynthia, C. S. uhttp://phenicx.upf.edu/node/24300475nas a2200133 4500008004100000020001800041245005900059210005900118260005100177300000800228490000800236100002500244856007200269 2015 eng d a978946299238200aMultifaceted Approaches to Music Information Retrieval0 aMultifaceted Approaches to Music Information Retrieval aDelftbDelft University of Technologyc11/2015 a1760 vPhD1 aLiem, Cynthia, C. S. uhttp://dx.doi.org/10.4233/uuid:e8a04372-4c55-4b5f-9bc3-aaab73fe649d00402nas a2200121 4500008004100000245005500041210005400096260003100150100002500181700001900206700001900225856003600244 2015 eng d00aPHENICX: Innovating the Classical Music Experience0 aPHENICX Innovating the Classical Music Experience aTorino, ItalycJune–July1 aLiem, Cynthia, C. S.1 aGómez, Emilia1 aSchedl, Markus uhttp://phenicx.upf.edu/node/25900478nas a2200109 4500008004100000245013000041210006900171260002800240100002500268700002500293856005000318 2015 eng d00aPut the Concert Attendee in the Spotlight. A User-Centered Design and Development Approach for Classical Concert Applications0 aPut the Concert Attendee in the Spotlight A UserCentered Design aMálaga, Spainc10/20151 aMelenhorst, Mark, S.1 aLiem, Cynthia, C. S. uhttp://ismir2015.uma.es/articles/67_Paper.pdf00504nas a2200145 4500008004100000245008300041210006900124260001200193100002500205700002500230700001800255700002400273700002500297856003600322 2015 eng d00aA Tablet App to Enrich the Live and Post-Live Experience of Classical Concerts0 aTablet App to Enrich the Live and PostLive Experience of Classic c06/20151 aMelenhorst, Mark, S.1 avan der Sterren, Ron1 aArzt, Andreas1 aMartorell, Agustín1 aLiem, Cynthia, C. S. uhttp://phenicx.upf.edu/node/24701634nas a2200133 4500008004100000245010300041210006900144260002800213520115800241100002101399700002501420700001901445856003601464 2014 eng d00aExploiting Instrument-wise Playing/Non-Playing Labels for Score Synchronization of Symphonic Music0 aExploiting Instrumentwise PlayingNonPlaying Labels for Score Syn aTaipei, TaiwancOctober3 aScore synchronization with an audio-visual recording of a symphonic music performance is usually done by solving an audio-to-MIDI alignment problem. In this paper we investigate what role visual channel can have in this process. In particular, we focus on the possibility to represent both the score and the performance by the information about what instrument is active at a given time stamp. More specifically, we investigate to what extent instrument-level 'play' (P) and 'non-play' (NP) labels are informative in the synchronization process. After introducing the P/NP-based representation of the music piece, both at the score and performance level, we define an efficient way of computing the distance between the two representations, which serves as input for the synchronization step based on dynamic time warping. In parallel with assessing the effectiveness of the proposed representation, we also study its robustness when missing and/or erroneous labels occur. Our experimental results show that P/NP-based music piece representation is informative for performance-to-score synchronization and may benefit the existing audio-only approaches.1 aBazzica, Alessio1 aLiem, Cynthia, C. S.1 aHanjalic, Alan uhttp://phenicx.upf.edu/node/14400419nas a2200157 4500008004100000245003000041210002600071100001800097700002100115700001800136700001600154700001500170700002500185700001500210856003600225 2014 eng d00aThe Piano Music Companion0 aPiano Music Companion1 aArzt, Andreas1 aBöck, Sebastian1 aFlossmann, S.1 aFrostel, H.1 aGasser, M.1 aLiem, Cynthia, C. S.1 aWidmer, G. uhttp://phenicx.upf.edu/node/27000572nas a2200169 4500008004100000245008400041210006900125260002700194100002100221700002000242700001900262700002500281700002500306700001600331700001900347856003600366 2014 eng d00aUsing Social Media Mining for Estimating Theory of Planned Behaviour Parameters0 aUsing Social Media Mining for Estimating Theory of Planned Behav aAalborg, DenmarkcJuly1 aTkalčič, Marko1 aFerwerda, Bruce1 aSchedl, Markus1 aLiem, Cynthia, C. S.1 aMelenhorst, Mark, S.1 aOdić, Ante1 aKošir, Andrej uhttp://phenicx.upf.edu/node/18001876nas a2200157 4500008004100000245007400041210006900115260001200184490004000196520132000236653002201556653002101578100001801599710001701617856008401634 2013 eng d00aInformed Source Separation for Multiple Instruments of Similar Timbre0 aInformed Source Separation for Multiple Instruments of Similar T c09/20130 vMaster in Sound and Music Computing3 aThis Master’s thesis focuses on the challenging task of separating the musical audio sources with instruments of similar timbre. We address the case in which external pitch information to assist the separation process is available. This information is provided to the source / filter model, which is embedded in a Non-Negative Matrix Factorization (NMF) framework that processes the audio input spectrogram. Different state of the art literature methods are inspected and extended. As an extension to these, two new separation methods are proposed, the Multi-Excitation and Single Filter Instantaneous Mixture Model and the Multi-Excitation and Multi-Filter Instantaneous Mixture Model. The use of dedicated source and filter decomposition for each instrument is proposed. In addition, we introduce the use of timbre models in the separation process. Timbre models are previously trained on isolated instrument recordings. The methods are compared with the BSS Eval and PEASS evaluation toolkits over an existing dataset. Promising results obtained in the conducted experiments, which shows that this is a path to be further investigated.
10asource Separation10aTimbre modelling1 aLópez, Jakue1 aJaner, Jordi uhttp://mtg.upf.edu/system/files/publications/Jakue-Lopez-Master-Thesis-2013.pdf01471nas a2200289 4500008004100000245010600041210006900147260002500216520054800241653001800789653003500807653001800842653003200860653002000892653002000912653001700932100002500949700002500974700002400999700002201023700002001045700001701065700002501082700001901107700001901126856003601145 2013 eng d00aInnovating the Classical Music Experience in the PHENICX Project: Use Cases and Initial User Feedback0 aInnovating the Classical Music Experience in the PHENICX Project aComo, Italyc06/20133 aThe FP7 PHENICX project focuses on creating a new digital classical concert experience, improving the accessibility of classical music concert performances by enhancing and enriching them in novel digital ways, In this paper, we present the project’s foreseen use cases. Subsequently, we summarize initial use case feedback from two different user groups. Despite the early stage of the project, the feedback already gives important insight into real-world considerations to make for interactive music content consumption solutions.
10ainteractivity10amultimedia information systems10amultimodality10amusic information retrieval10aperforming arts10asocial networks10auser studies1 aLiem, Cynthia, C. S.1 avan der Sterren, Ron1 avan Tilburg, Marcel1 aSarasúa, Álvaro1 aBosch, Juan, J.1 aJaner, Jordi1 aMelenhorst, Mark, S.1 aGómez, Emilia1 aHanjalic, Alan uhttp://phenicx.upf.edu/node/11701236nas a2200133 4500008004100000245006700041210006600108260003400174520079400208100002501002700002101027700001901048856003501067 2013 eng d00aLooking Beyond Sound: Unsupervised Analysis of Musician Videos0 aLooking Beyond Sound Unsupervised Analysis of Musician Videos a Paris, FrancebIEEEc07/20133 aModern digital multimedia and internet technology have radically changed the ways people find entertainment and discover new interests online, seemingly without any phys- ical or social barriers. Such new access paradigms are in sharp contrast with the traditional means of entertainment. An illustrative example of this is live music concert perfor- mances that are largely being attended by dedicated audi- ences only.
This papers introduces the PHENICX project, which aims at enriching traditional concert experiences by using state- of-the-art multimedia and internet technologies. The project focuses on classical music and its main goal is twofold: (a) to make live concerts appealing to potential new au- dience and (b) to maximize the quality of concert experi- ence for everyone. Concerts will then become multimodal, multi-perspective and multilayer digital artifacts that can be easily explored, customized, personalized, (re)enjoyed and shared among the users. The paper presents the main scientific objectives on the project, provides a state of the art review on related research and presents the main chal- lenges to be addressed.