TY - CONF T1 - Melody extraction by means of a source-filter model and pitch contour characterization (MIREX 2015) T2 - Music Information Retrieval Evaluation eXchange (MIREX) Y1 - 2015 A1 - Bosch, J. A1 - Gómez, E. JF - Music Information Retrieval Evaluation eXchange (MIREX) ER - TY - CONF T1 - Melovizz: A Web-based tool for Score-Informed Melody Extraction Visualization T2 - ISMIR (Late Breaking Demo) Y1 - 2015 A1 - Bosch, J. A1 - Mayor, O. A1 - Gómez, E. JF - ISMIR (Late Breaking Demo) ER - TY - Generic T1 - Melody extraction in symphonic classical music: a comparative study of mutual agreement between humans and algorithms T2 - 9th Conference on Interdisciplinary Musicology – CIM14 Y1 - 2014 A1 - Bosch, J. A1 - Gómez, E. JF - 9th Conference on Interdisciplinary Musicology – CIM14 CY - Berlin ER - TY - CONF T1 - PHENICX: Performances as Highly Enriched aNd Interactive Concert Experiences T2 - SMAC Stockholm Music Acoustics Conference 2013 and SMC Sound and Music Computing Conference 2013 Y1 - 2013 A1 - Gómez, E. A1 - Grachten, M. A1 - Hanjalic, A. A1 - Janer, J. A1 - Jordà, S. A1 - Julià, C. F. A1 - Cynthia C. S. Liem A1 - Martorell, A. A1 - Schedl, M. A1 - Widmer, G. AB -
Modern digital multimedia and internet technology have radically changed the ways people find entertainment and discover new interests online, seemingly without any phys- ical or social barriers. Such new access paradigms are in sharp contrast with the traditional means of entertainment. An illustrative example of this is live music concert perfor- mances that are largely being attended by dedicated audi- ences only.
JF - SMAC Stockholm Music Acoustics Conference 2013 and SMC Sound and Music Computing Conference 2013
CY - Stockholm, Sweden
This papers introduces the PHENICX project, which aims at enriching traditional concert experiences by using state- of-the-art multimedia and internet technologies. The project focuses on classical music and its main goal is twofold: (a) to make live concerts appealing to potential new au- dience and (b) to maximize the quality of concert experi- ence for everyone. Concerts will then become multimodal, multi-perspective and multilayer digital artifacts that can be easily explored, customized, personalized, (re)enjoyed and shared among the users. The paper presents the main scientific objectives on the project, provides a state of the art review on related research and presents the main chal- lenges to be addressed.