TY  - CONF
T1  - Melody extraction by means of a source-filter model and pitch contour characterization (MIREX 2015)
T2  - Music Information Retrieval Evaluation eXchange (MIREX)
Y1  - 2015
A1  - Bosch, J.
A1  - Gómez, E.
JF  - Music Information Retrieval Evaluation eXchange (MIREX)
ER  - 

TY  - CONF
T1  - Melovizz: A Web-based tool for Score-Informed Melody Extraction Visualization
T2  - ISMIR (Late Breaking Demo)
Y1  - 2015
A1  - Bosch, J.
A1  - Mayor, O.
A1  - Gómez, E.
JF  - ISMIR (Late Breaking Demo)
ER  - 

TY  - Generic
T1  - Melody extraction in symphonic classical music: a comparative study of mutual agreement between humans and algorithms
T2  - 9th Conference on Interdisciplinary Musicology – CIM14
Y1  - 2014
A1  - Bosch, J.
A1  - Gómez, E.
JF  - 9th Conference on Interdisciplinary Musicology – CIM14
CY  - Berlin
ER  - 

TY  - CONF
T1  - PHENICX: Performances as Highly Enriched aNd Interactive Concert Experiences
T2  - SMAC Stockholm Music Acoustics Conference 2013 and SMC Sound and Music Computing Conference 2013
Y1  - 2013
A1  - Gómez, E.
A1  - Grachten, M.
A1  - Hanjalic, A.
A1  - Janer, J.
A1  - Jordà, S.
A1  - Julià, C. F.
A1  - Cynthia C. S. Liem
A1  - Martorell, A.
A1  - Schedl, M.
A1  - Widmer, G.
AB  - <p>Modern digital multimedia and internet technology have radically changed the ways people find entertainment and discover new interests online, seemingly without any phys- ical or social barriers. Such new access paradigms are in sharp contrast with the traditional means of entertainment. An illustrative example of this is live music concert perfor- mances that are largely being attended by dedicated audi- ences only.</p>  <p><br />  	This papers introduces the PHENICX project, which aims at enriching traditional concert experiences by using state- of-the-art multimedia and internet technologies. The project focuses on classical music and its main goal is twofold: (a) to make live concerts appealing to potential new au- dience and (b) to maximize the quality of concert experi- ence for everyone. Concerts will then become multimodal, multi-perspective and multilayer digital artifacts that can be easily explored, customized, personalized, (re)enjoyed and shared among the users. The paper presents the main scientific objectives on the project, provides a state of the art review on related research and presents the main chal- lenges to be addressed.</p>
JF  - SMAC Stockholm Music Acoustics Conference 2013 and SMC Sound and Music Computing Conference 2013
CY  - Stockholm, Sweden
ER  -