TY - CONF T1 - Comparative Analysis of Orchestral Performance Recordings: An Image-Based Approach T2 - 16th International Society for Music Information Retrieval Conference Y1 - 2015 A1 - Cynthia C. S. Liem A1 - Alan Hanjalic JF - 16th International Society for Music Information Retrieval Conference CY - Málaga, Spain ER - TY - CONF T1 - Innovating the Classical Music Experience in the PHENICX Project: Use Cases and Initial User Feedback T2 - 1st International Workshop on Interactive Content Consumption (WSICC) at EuroITV 2013 Y1 - 2013 A1 - Cynthia C. S. Liem A1 - Ron van der Sterren A1 - Marcel van Tilburg A1 - Álvaro Sarasúa A1 - Juan J. Bosch A1 - Jordi Janer A1 - Mark S. Melenhorst A1 - Emilia Gómez A1 - Alan Hanjalic KW - interactivity KW - multimedia information systems KW - multimodality KW - music information retrieval KW - performing arts KW - social networks KW - user studies AB -

The FP7 PHENICX project focuses on creating a new digital classical concert experience, improving the accessibility of classical music concert performances by enhancing and enriching them in novel digital ways, In this paper, we present the project’s foreseen use cases. Subsequently, we summarize initial use case feedback from two different user groups. Despite the early stage of the project, the feedback already gives important insight into real-world considerations to make for interactive music content consumption solutions.

JF - 1st International Workshop on Interactive Content Consumption (WSICC) at EuroITV 2013 CY - Como, Italy ER - TY - Generic T1 - Looking Beyond Sound: Unsupervised Analysis of Musician Videos T2 - 14th International Workshop on Image and Audio Analysis for Multimedia Interactive services (WIA2MIS) Y1 - 2013 A1 - Cynthia C. S. Liem A1 - Alessio Bazzica A1 - Alan Hanjalic AB -
In this work, we focus on visual information conveyed by performing musicians. While musicians are playing, their movement relates to their musical performance. As such, analysis of this information can support structural characterization and timeline indexing of a recorded performance, especially in cases when such analyses are not trivially computed from the musical audio. We propose an unsupervised visual analysis method, in which visual novelty is inferred from motion orientation histograms of regions of interest. Considering our method in a case study on audiovisually recorded jam sessions, we show that our analysis of the visual channel yields promising and meaningful performance-related information, including information complementary to the audio channel.
JF - 14th International Workshop on Image and Audio Analysis for Multimedia Interactive services (WIA2MIS) PB - IEEE CY - Paris, France ER -