TY - CONF
T1 - Comparative Analysis of Orchestral Performance Recordings: An Image-Based Approach
T2 - 16th International Society for Music Information Retrieval Conference
Y1 - 2015
A1 - Cynthia C. S. Liem
A1 - Alan Hanjalic
JF - 16th International Society for Music Information Retrieval Conference
CY - Málaga, Spain
ER -
TY - CONF
T1 - On the Influence of User Characteristics on Music Recommendation
T2 - Proceedings of the 37th European Conference on Information Retrieval (ECIR 2015)
Y1 - 2015
A1 - Markus Schedl
A1 - David Hauger
A1 - Katayoun Farrahi
A1 - Marko Tkalčič
JF - Proceedings of the 37th European Conference on Information Retrieval (ECIR 2015)
CY - Vienna, Austria
ER -
TY - JOUR
T1 - Personality Correlates for Digital Concert Program Notes
JF - UMAP 2015, Springer LNCS 9146
Y1 - 2015
A1 - Tkalčič, Marko
A1 - Ferwerda, Bruce
A1 - Hauger, David
A1 - Schedl, Markus
KW - classical music
KW - digital program notes
KW - personality
ER -
TY - CONF
T1 - Tailoring Music Recommendations to Users by Considering Diversity, Mainstreaminess, and Novelty
T2 - Proceedings of the 38th Annual International ACM SIGIR Conference on Research and Development in Information Retrieval (SIGIR)
Y1 - 2015
A1 - Markus Schedl
A1 - David Hauger
JF - Proceedings of the 38th Annual International ACM SIGIR Conference on Research and Development in Information Retrieval (SIGIR)
CY - Santiago, Chile
ER -
TY - CONF
T1 - Exploiting Instrument-wise Playing/Non-Playing Labels for Score Synchronization of Symphonic Music
T2 - Proceedings of the 15th International Society for Music Information Retrieval Conference
Y1 - 2014
A1 - Alessio Bazzica
A1 - Cynthia C. S. Liem
A1 - Hanjalic, Alan
AB - Score synchronization with an audio-visual recording of a symphonic music performance is usually done by solving an audio-to-MIDI alignment problem. In this paper we investigate what role visual channel can have in this process. In particular, we focus on the possibility to represent both the score and the performance by the information about what instrument is active at a given time stamp. More specifically, we investigate to what extent instrument-level 'play' (P) and 'non-play' (NP) labels are informative in the synchronization process. After introducing the P/NP-based representation of the music piece, both at the score and performance level, we define an efficient way of computing the distance between the two representations, which serves as input for the synchronization step based on dynamic time warping. In parallel with assessing the effectiveness of the proposed representation, we also study its robustness when missing and/or erroneous labels occur. Our experimental results show that P/NP-based music piece representation is informative for performance-to-score synchronization and may benefit the existing audio-only approaches.
JF - Proceedings of the 15th International Society for Music Information Retrieval Conference
CY - Taipei, Taiwan
ER -
TY - CONF
T1 - Impact of Listening Behavior on Music Recommendation
T2 - Proceedings of the 15th International Society for Music Information Retrieval Conference (ISMIR 2014)
Y1 - 2014
A1 - Katayoun Farrahi
A1 - Markus Schedl
A1 - Andreu Vall
A1 - David Hauger
A1 - Marko Tkalčič
JF - Proceedings of the 15th International Society for Music Information Retrieval Conference (ISMIR 2014)
CY - Taipei, Taiwan
ER -
TY - CONF
T1 - Innovating the Classical Music Experience in the PHENICX Project: Use Cases and Initial User Feedback
T2 - 1st International Workshop on Interactive Content Consumption (WSICC) at EuroITV 2013
Y1 - 2013
A1 - Cynthia C. S. Liem
A1 - Ron van der Sterren
A1 - Marcel van Tilburg
A1 - Álvaro Sarasúa
A1 - Juan J. Bosch
A1 - Jordi Janer
A1 - Mark S. Melenhorst
A1 - Emilia Gómez
A1 - Alan Hanjalic
KW - interactivity
KW - multimedia information systems
KW - multimodality
KW - music information retrieval
KW - performing arts
KW - social networks
KW - user studies
AB - The FP7 PHENICX project focuses on creating a new digital classical concert experience, improving the accessibility of classical music concert performances by enhancing and enriching them in novel digital ways, In this paper, we present the project’s foreseen use cases. Subsequently, we summarize initial use case feedback from two different user groups. Despite the early stage of the project, the feedback already gives important insight into real-world considerations to make for interactive music content consumption solutions.
JF - 1st International Workshop on Interactive Content Consumption (WSICC) at EuroITV 2013
CY - Como, Italy
ER -
TY - Generic
T1 - Looking Beyond Sound: Unsupervised Analysis of Musician Videos
T2 - 14th International Workshop on Image and Audio Analysis for Multimedia Interactive services (WIA2MIS)
Y1 - 2013
A1 - Cynthia C. S. Liem
A1 - Alessio Bazzica
A1 - Alan Hanjalic
AB - In this work, we focus on visual information conveyed by performing musicians. While musicians are playing, their movement relates to their musical performance. As such, analysis of this information can support structural characterization and timeline indexing of a recorded performance, especially in cases when such analyses are not trivially computed from the musical audio. We propose an unsupervised visual analysis method, in which visual novelty is inferred from motion orientation histograms of regions of interest. Considering our method in a case study on audiovisually recorded jam sessions, we show that our analysis of the visual channel yields promising and meaningful performance-related information, including information complementary to the audio channel.
JF - 14th International Workshop on Image and Audio Analysis for Multimedia Interactive services (WIA2MIS)
PB - IEEE
CY - Paris, France
ER -
TY - CONF
T1 - The Million Musical Tweets Dataset: What Can We Learn From Microblogs
T2 - Proceedings of the 14th International Society for Music Information Retrieval Conference (ISMIR 2013)
Y1 - 2013
A1 - David Hauger
A1 - Markus Schedl
A1 - Andrej Košir
A1 - Marko Tkalčič
JF - Proceedings of the 14th International Society for Music Information Retrieval Conference (ISMIR 2013)
CY - Curitiba, Brazil
ER -
TY - CONF
T1 - PHENICX: Performances as Highly Enriched aNd Interactive Concert Experiences
T2 - SMAC Stockholm Music Acoustics Conference 2013 and SMC Sound and Music Computing Conference 2013
Y1 - 2013
A1 - Gómez, E.
A1 - Grachten, M.
A1 - Hanjalic, A.
A1 - Janer, J.
A1 - Jordà, S.
A1 - Julià, C. F.
A1 - Cynthia C. S. Liem
A1 - Martorell, A.
A1 - Schedl, M.
A1 - Widmer, G.
AB - Modern digital multimedia and internet technology have radically changed the ways people find entertainment and discover new interests online, seemingly without any phys- ical or social barriers. Such new access paradigms are in sharp contrast with the traditional means of entertainment. An illustrative example of this is live music concert perfor- mances that are largely being attended by dedicated audi- ences only.
This papers introduces the PHENICX project, which aims at enriching traditional concert experiences by using state- of-the-art multimedia and internet technologies. The project focuses on classical music and its main goal is twofold: (a) to make live concerts appealing to potential new au- dience and (b) to maximize the quality of concert experi- ence for everyone. Concerts will then become multimodal, multi-perspective and multilayer digital artifacts that can be easily explored, customized, personalized, (re)enjoyed and shared among the users. The paper presents the main scientific objectives on the project, provides a state of the art review on related research and presents the main chal- lenges to be addressed.
JF - SMAC Stockholm Music Acoustics Conference 2013 and SMC Sound and Music Computing Conference 2013
CY - Stockholm, Sweden
ER -